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abril 15, 2004
Artificial Emotion
Sherry Turkle interview to Boston Globe
She says, we become attached to sophisticated machines not for their smarts but their emotional reach.
"They seduce us by asking for human nurturance, not intelligence," she says.
Sherry Turkle interview to Boston Globe
She says, we become attached to sophisticated machines not for their smarts but their emotional reach.
"They seduce us by asking for human nurturance, not intelligence," she says.
"We're suckers not for realism but for relationships."
Kids, she has found, define aliveness in terms of emotion: "In meeting objects as simple as Furbys, their conversations of aliveness have to do with if a computer loves them and if they love the computer."
The Love Machine
the 3 distinct areas to go when delving into emotion and computers
. emotion perception
. emotion interpretation
. emotion expression
Picard (1997)
the 3 distinct areas to go when delving into emotion and computers
. emotion perception
. emotion interpretation
. emotion expression
Picard (1997)
abril 14, 2004
I’ll present a paper about emotion and virtual illusion, next week, day 21 of April at University of Covilhã, Portugal.
"Emotion Elements in Virtual Interactive Entertainment"
abstract: The convergence of narrative forms and directing/editing techniques between videogames and film are becoming a reality. Although the emotion intensity created by film is far superior to videogames. This paper presents a specification of emotion elements in interactive entertainment captured through neuroscience, cognitive science and film theory areas of knowledge...
it will be presented in the conference LUSOCOM 2004 (http://www.lusocom2004.ubi.pt)
"Emotion Elements in Virtual Interactive Entertainment"
abstract: The convergence of narrative forms and directing/editing techniques between videogames and film are becoming a reality. Although the emotion intensity created by film is far superior to videogames. This paper presents a specification of emotion elements in interactive entertainment captured through neuroscience, cognitive science and film theory areas of knowledge...
it will be presented in the conference LUSOCOM 2004 (http://www.lusocom2004.ubi.pt)
fevereiro 28, 2004
John Barlow about cyberspace
«. diversity is as essential to healthy community as it is to healthy ecosystems... I believe that the principal reason for the almost universal failure of the intentional communities ... is lack of diversity in their members.
It's rare a commune with people fundamentally out of philosophical agreement with the majority.»
«Like Frankenstein... is the usual problem when we try to build something which can only be grown.»
«. Cyberspace missing elements
a) absence of alternatives
b) sense of genuine adversity, generally shared» [we don't have this at movies also]
«. diversity is as essential to healthy community as it is to healthy ecosystems... I believe that the principal reason for the almost universal failure of the intentional communities ... is lack of diversity in their members.
It's rare a commune with people fundamentally out of philosophical agreement with the majority.»
«Like Frankenstein... is the usual problem when we try to build something which can only be grown.»
«. Cyberspace missing elements
a) absence of alternatives
b) sense of genuine adversity, generally shared» [we don't have this at movies also]
fevereiro 02, 2004
The Philosophy of Horror, by Noel Carroll
Image and Mind : Film, Philosophy and Cognitive Science, by Gregory Currie
Suspense: Conceptualizations, Theoretical Analyses, and Empirical Explorations (Lea's Communication Series) eds. Peter Vorderer
Affective Interactions: Toward a New Generation of Computer Interfaces (Lecture Notes in Computer Science, 1814.) eds. Ana Paiva
The Nature of Emotion: Fundamental Questions (Series in Affective Science)
eds. Paul Ekman, Richard J. Davidson, Davidson Ekman
Image and Mind : Film, Philosophy and Cognitive Science, by Gregory Currie
Suspense: Conceptualizations, Theoretical Analyses, and Empirical Explorations (Lea's Communication Series) eds. Peter Vorderer
Affective Interactions: Toward a New Generation of Computer Interfaces (Lecture Notes in Computer Science, 1814.) eds. Ana Paiva
The Nature of Emotion: Fundamental Questions (Series in Affective Science)
eds. Paul Ekman, Richard J. Davidson, Davidson Ekman
janeiro 17, 2004
MelbourneDAC, the 5th International Digital Arts and Culture Conference.
May 19 - 23, 2003
Ph. D. Panel Session
The main advice from the experienced Doctorate Candidates:
. don't mess up your life just before you submit the thesis. (keep your boyfriend or husband around until after you have submitted.)
. write about something you like.
. spend time on preparing your work.
. focus on theory - whether you want to use it or develop it.
. write, write, write, present and publish.
. get a good supervisor.
May 19 - 23, 2003
Ph. D. Panel Session
The main advice from the experienced Doctorate Candidates:
. don't mess up your life just before you submit the thesis. (keep your boyfriend or husband around until after you have submitted.)
. write about something you like.
. spend time on preparing your work.
. focus on theory - whether you want to use it or develop it.
. write, write, write, present and publish.
. get a good supervisor.
dezembro 18, 2003
EMOTION and FILM
. Film Structure and the Emotion System by Greg M. Smith
. Passionate Views: Film, Cognition, and Emotion by Carl Plantinga (Editor), Greg M. Smith (Editor)
. Emotion and the Structure of Narrative Film: Film as an Emotion Machine by Ed S. Tan
. Engaging characters : fiction, emotion, and the cinema by Murray Smith
. The Photoplay a Psychological Study by Hugo Munsterberg
. Understanding Cinema: A Psychological Theory of Moving Imagery by Per Persson
. The Reality of Illusion: An Ecological Approach to Cognitive Film Theory by Joseph D. Anderson
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